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Superestar

Superestar During the production of Superestar and the documentary Sigo siendo la misma, I created a series of analogue photographs on set. The series recreates the early artistic career of Yurena, formerly known as Tamara, while the documentary portrays the artist and the real-life figures featured in the story
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Background

Background Background explores the margins of film production, bringing into focus what happens behind the scenes. Through unfinished sets, extras waiting between takes, and the technical elements of a film set, this body of work documents a liminal, fleeting space that invites us to witness filmmaking from a new
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Superestar Procesos

Character Makeup & Transformation Reportage This photographic series was created to document the character transformation process for Superestar, the Netflix series created by Nacho Vigalondo and co-directed with Claudia Costafreda. The project captures the different stages of the actors’ transformations, focusing on the technical work carried out by the
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Misión Región

Misión Región Villalbilla / Corpa / Pezuela de las Torres / Ambite / Anchuelo / Olmeda de las Fuentes A research and cultural documentation project exploring the landscapes of the Community of Madrid, commissioned by the Regional Directorate-General for Cultural Heritage. Conceived as a unique journey through the rich
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Background portraits

Background portraits Ongoing Project View Project Habitat View Project Misión Región Habitat Misión Región
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Habitat

Habitat Habitat is an introspective journey in search of a place to belong. It emerges from a desire to reconnect with our essence and to explore what truly makes us feel at home. Throughout a journey of getting lost, withdrawing, disconnecting and reconnecting, observing and being observed, nature finds
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The other side of the Dniester

The other side of the Dniester A hammer and sickle crowned by a red star, together with statues of Lenin standing at the entrances of government buildings in Tiraspol, the capital of Transnistria, are among the first things to catch the eye upon entering the region. Communist symbols appear
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My beloved King

My beloved King In October 2017, Thailand had already spent a year in mourning. Civil servants were required to wear nothing but black, shop windows displayed only dark clothing, and television schedules had been stripped of most entertainment programmes, series and films. For an entire year, black and white
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