During the production of Superestar and the documentary Sigo siendo la misma, I created a series of analogue photographs on set. The series recreates the early artistic career of Yurena, formerly known as Tamara, while the documentary portrays the artist and the real-life figures featured in the story as they are today.

Alongside my work as the still photographer, this project emerged as a way of creating an additional body of work through analogue photography, drawing closer to the visual language of the period while exploring a freer, more experimental approach within the filmmaking process itself.